PicoBlog

About - Mo Faux

2024-12-03
Mo’ Faux is where you’ll find periodic thoughts, observations and musings of the creator of Faux Pelini. Faux Pelini was born on Twitter in late 2010 as a parody of the infamous and angry college football coach Bo Pelini. Since then Faux’s words have expanded beyond Twitter to places like The Athletic, SB Nation and now (you guessed it) Substack. I’m the guy who types Faux’s words but I’m anonymous, so all you’re getting for now is that I’m a frustrated Nebraska football fan living in Chicago.
Welcome to my substack - I am Kenny Polcari - Your Host of the Party.   I am the Chief Market Strategist at SlateStone Wealth and the Founder and Managing Partner of Kace Capital Advisors, and a media personality appearing on Fox Business Network, CNBC, Bloomberg TV and a range of streaming services. I started my career on the floor of the NYSE back in the antediluvian 1980s, when the march of electronic trading was already taking its first steps, and the great bull market was first learning to run.
Animation production has ballooned in recent decades. Journalism hasn’t caught up. The field I’m active in, criticism, covers the art and history of live-action cinema well, but less so animation. David Lynch, Andrei Tarkovsky and Agnès Varda are familiar names even outside film circles; Regina Pessoa, Yuri Norstein and Naoko Yamada, not so much. Move Madly was sparked by the sense that so much interesting animation isn’t receiving the attention it deserves.
Subscribe to get full access to the newsletter and publication archives. Ms Izzy has been an active participant in the markets since 2008. She initially embarked on the Canadian markets, primarily focused on oil and gas, and later expanded to the US markets. Her current focus is mainly trading the indices but she also has a vast knowledge in sector rotations and commodities. Her unique edge with price and time defines her trading style and techniques.
mushy brain was born as an experiment of “i don’t know what to do with my life currently, but hey, i’ll give this a shot.” but i think most good things happen like that, a bit of spontaneity. maybe you’ll find yourself reading in the middle of a class, or in the bathroom escaping a terrible first date. i won’t judge. think of this newsletter as a warm hug in your inbox, a little check in to say hey, how are you doing today?
The Problem: TV news executives decided that the only way to get and hold an audience – and therefore turn a profit – is by framing everything in terms of conflict, outrage and negativity. In short, fear sells.  The Impact: Framing news only in terms of conflict stresses audiences out, shuts down learning, fosters polarization, and feeds apathy. All of this counters the very reason the free press is protected in the US: to ensure we have an informed electorate that actively participates in our democracy.

About - NoDesk

2024-12-03
Welcome to the NoDesk newsletter. Since 2015, I’ve been curating the best new remote jobs at leading companies and startups. Every job is hand-picked, tagged, and organised to help you find the perfect opportunity to join a team and work remotely. As a subscriber, you’ll get my weekly newsletter with the latest remote jobs, stories and ideas from the remote work community, and occasional offbeat pieces to feed your curiosity.
My name is Damon Linker. You may know me from my opinion columns in The Week, my books (The Theocons and The Religious Test), my weekly appearances on The Bulwark’s “Beg to Differ” podcast, or my occasional book reviews and op-eds in The New York Times. Or maybe you just encountered one of my tweets. In any case, welcome. I hope you’ll stick around. Notes from the Middleground is the name of my Substack publication, which contains three subscription newsletters: Eyes on the Right, Looking Left, and Above the Fray.
Oldster Magazine explores what it means to travel through time in a human body—of any gender, at every phase of life. It focuses on the good, the bad, and the ugly we experience with each milestone, starting early in life. It’s about the experience of getting older, and what that means at different junctures. Regardless of age, we’re all the oldest we’ve ever been, which makes every one of us feel, well, old.